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Porrtrait of the Sculptor Duquesnoy fgh
Painting ID:: 6530
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DYCK, Sir Anthony Van
Porrtrait of the Sculptor Duquesnoy fgh
1627-29
Oil on canvas, 77,5 x 61 cm
Mus??es Royaux des Beaux-Arts, Brussels
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Portrait of Father Jean-Charles della Faille, S.J. dfh
Painting ID:: 6531
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DYCK, Sir Anthony Van
Portrait of Father Jean-Charles della Faille, S.J. dfh
1629
Oil on canvas, 130,8 x 118,5 cm
Mus??es Royaux des Beaux-Arts, Brussels
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Family Portrait hhte
Painting ID:: 6532
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DYCK, Sir Anthony Van
Family Portrait hhte
1618-20
Oil on canvas, 113,5 x 93,5 cm
The Hermitage, St. Petersburg
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Thomas Killigrew and William, Lord Croft fgjh
Painting ID:: 6533
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DYCK, Sir Anthony Van
Thomas Killigrew and William, Lord Croft fgjh
1638
Oil on canvas, 132,7 x 143,5 cm
Royal Collection, Windsor
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Portrait of the Artist Marten Pepijn dfg
Painting ID:: 6534
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DYCK, Sir Anthony Van
Portrait of the Artist Marten Pepijn dfg
Oil on panel, 72 x 56 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
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DYCK, Sir Anthony Van
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Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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